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In A Room EP

by Gad Whip

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  • In A Room 12" EP
    Record/Vinyl + Digital Album

    Released on New York based Ever/Never Records (E/V026) Four songs on one side and an etching on the other. Silk screened sleeve & insert. Very limited copies from us. You can also order direct from the label. evernever-records.bandcamp.com

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  • In A Room 12" EP & T Shirt Deal
    Record/Vinyl + Digital Album

    Buy the 12" and t-shirt together and save a few quid. Sorry but shirts in medium, large and XL only.

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1.
In A Room 02:53
In A Room In a room full of dictator chic, There is nothing here but waxwork mystique, These are not people like you and me, They are imposters from the land of the free, The walls they build are frontiers of the mind, A regressional therapy, a blight on humankind. In a room spewing forth blobs of plasma, I considered my credit score with karma, And here you are, too foreign for home, Too foreign for here, never enough for both, When things were simple, like water from the well, We had blind optimism and not a hope in hell. In a room. Alone. (With you) In a room surrounded by the inner circle, Posing for the obligatory shot of the kill, Heads I win, tails you lose, Locate the escape route from these damned fools, Moving forward? Not when you’re stuck in a jam, Or is that just part of the overall plan? In a room watching the paint dry, Is not something that I have to justify, Time is my friend and I watch it closely, I could be detached and just do it remotely, People who hate people come together, And ‘no’ became the defining answer. In a room. Alone. (With you) In a room with a psychopathic tendency, Not my fault, it’s a genetic deficiency, I was Philip K Dick’s reluctant host, The day the bread-man became toast, He showed no empathy and no remorse, And that became par for the course. In a room where you can see it all, Hitch up your britches, stand strong and tall, You’ve got the panoptican blues baby, You’ve got reds and yellows too, You’ve got the panoptican blues baby, When it sounds too good to be true. In room. Alone. (With you)
2.
Fun Fair Fish My godfather, George Rollo, had a fun fair fish That lived for 31 years. No shit. A fun fair fish. The fish saw and heard everything, Including ‘the’ incident that shocked everyone. The fun fair fish turned out to be The only witness, To a despicable crime. The family you see, Had all been found, Hung, drawn and quartered. With no clues or perpetrator found. The fun fair fish had seen it all. Fun fair fish, Outgrew himself, outlived myself. I’m on the outside, Just looking in. Fun fair fish, Had a secret, Kept it in a plastic trinket. At least he thought that was the case, But his memory isn’t what it was.
3.
Grey Scale Quiche Big bouncy bother with a choppy bob all strung out married to a slob, Put some pot-pouri around your judo belt tell me how it felt, Showed more interest in a robot dog than my music blog, So clichéd we called it pastiche all the appeal of a grey scale quiche. Front door fulfilment website satisfaction walking on ice I’ve got no traction, Peer to peer show and tell you’re going straight to hell, Concealed lower compartment ghetto blaster helping you to talk a lot faster, At the end of a leather leash off the menu a grey scale quiche. We don’t talk about that raw wound they built a church on a burial ground, To construct the future although that may have been just a rumour, A dear sir letter with a payment plan I wish to continue with the spray on tan, Mild disgust sheesh, just like the grey scale quiche. Yeah mate I’m in no prospects MC, we meet near the burnt out tree, Shouting at passers by nobody listens however much we try, A country obsessed with fences walls and pre-recorded telephone calls, It’s out of reach just like the grey scale quiche. A grey scale quiche A grey scale quiche A grey scale quiche. I left it in the car for too many weeks.
4.
Train Song Part 2 Oh the machineries of joy Choose life or death by big mac What A Way To Go It was the most popular news item for a while A marked decrease in burger consumption THE MORE YOU KNOW THE CRAZIER YOU LOOK Oh the machineries of joy Choose life or death by wrong place right time No emotion. THE MORE YOU KNOW THE CRAZIER YOU LOOK Speaking as a mother and a grandmother, Speaking as a child of immigrants, Speaking as a father and a grandfather, Speaking as a worker, Speaking as a dog, Speaking as a 7 seat hybrid people carrier with airbags, Speaking as a set of screwdrivers, Speaking as a pint of Carling, Speaking as a member of a membership with a membership card, Speaking as a former selective mute, Speaking as a loaf of artisan sourdough, Speaking as a grande latte, Speaking as an artistic impression of a proposed shopping centre, Speaking as two girls who love ice cream, Speaking as a man who hates his nose,

about

Bil Amos - Bass
Geoff Bolam - Synths
Pete Davies - Vocals & Other Bits
Lee Drinkall - Drums & Guitars

Recorded February 2017 in Sasquatch Studios, Huddersfield, Arse-Of-The-Bag Studios, Mirfield and Draughty Caravans Inc somewhere in Lincolnshire.

"Gad Whip have self-released a number of tapes previously, but this is their first vinyl offering, a one-sided 12″ with a stately b-side etching of what I presume to be the Gad Whip family crest. I’m glad to have made their acquaintance, as these four tunes are highly enjoyable (and highly British) artsy post-punk. The most obvious sonic correlation is Sleaford Mods (I bet they’re already sick of hearing it), thanks the the vocalist’s sharp rap/rant delivery and accent, but the music comes from live drums, guitars, keyboards, what-have-you, recalling downer Kiwi pop, not entirely far from Tall Dwarfs or The Bats, with a touch of Talking Heads, maybe even some tougher, leathery post-punk like Crisis (particularly on the final cut, “Train Song #2”). It’s a combo that works quite easily, and Gad Whip have the proper mindset to deliver it with just enough bile, just enough tuneful accompaniment, and just enough whip, lest they merely gad."
www.yellowgreenred.com

"With the catalogue of a wonky, obstinate, largely unsung but often terrific rabble of postpunk curios. Their assemblage of clanky guitar, clankier electronics and spoken-ish vocals has sometimes been stretched to luxurious lengths – ‘The Arguement’ [sic], from their 2015 Breakdown Test tape, is an especially choice example – but In A Room’s four songs are each short and snapping, as in at heels."
Noel Gardner - thequietus.com/articles/23187-the-rebel-the-bomber-jackets-memnon-sa

"Limited edition of 200 copies only with silkscreened covers! On their vinyl-debut GAD WHIP from Yorkshire/UK deliver 4 intriguing tracks on one side, on the B-side graphics etched into the vinyl. Absolutely fascinating band that could be filed under "experimental Post-Punk", with their sound that is best decribed as taking the best moments of THE FALL mixed with the SLEAFORD MODS! Fuck yeah! And yes, I know, a lot of bands are getting compared to the SLEAFORD MODS these days, but here's one that really delivers!"
www.x-mist.de/band/6458/gad_whip

"The new EP of the British experimental band is once again wonderfully out of the frame with its largely uncomfortable, bulky sound, which proves, among other things, comparisons to The Fall, early Sleaford Mods or Swell Maps, which also has a vague No Wave influence, a touch of Kraut and psychedelia can not conceal. This crude sound carpet represents an absolutely fitting vehicle for the poisonous rants of vocalist Pete Davies, in which he packs clear announcements about the time and the grim reality before his own door into a very surreal-like lyric."
onetwoxu.de/2017/10/16/gad-whip-in-a-room/

credits

released October 13, 2017

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Gad Whip England, UK

Art punk ramblings

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